coming soon: November 2025
American Otherness in Journalism: News Media Representations of Identity and Belonging
a new scholarly book by angie Chuang forthcoming with Routledge
Who gets to be counted as fully American, and why? If we are to believe the stated multicultural ideals of the U.S. journalism industry, then surely all races and ethnicities of citizens or longtime residents would belong to this expansive identity. Objective measures like U.S. citizenship, or length of residence in the country, would be used by journalists to dole out the descriptor of “American” and the attributes we associate with it.
However, a closer look at journalistic portrayals of individuals and groups from marginalized racial identities shed light on a difficult truth: Ever since early-20th-century playwright Israel Langwill popularized the idea of “The Melting Pot,” the dominant-culture conceptualization of American identity has always meant some residents of this country have always been perceived as more American than others. The nine news media case studies in American Otherness span the first two decades of this century, bracketed by the 9/11 terrorist attacks and the Covid-19 pandemic. These narratives include the news coverage of the undocumented mostly-Latino//a/x youth pursuing residency through the DREAM Act/DACA, the Barack Obama “birther” debate, the Charlottesville Unite the Right rally, the Atlanta spa shootings, and Breonna Taylor’s killing prior to the 2020 summer of protest. Building on news media research mostly constructed of single-race studies, American Otherness in Journalism: News Media Constructions of Belonging and Identity provides a new analytical vocabulary with which to understand vital and difficult issues of our time, placing them in the larger framework of historical and cultural constructions of Self and Other.
The Four Words for Home
Aquarius Press / Willow Books 2014
Winner of the Willow Books Literature Awards Grand Prize in Prose 2013
Angie Chuang takes on an assignment to “find the human face of the country we’re about to bomb” weeks after the 2001 terrorist attacks. Her five-year journey into the lives of the Shirzai family transports her far beyond journalism. She travels to their homeland Afghanistan, and becomes intimately involved with the family’s story of loss and triumph over war.
As she is drawn ever deeper into the Shirzais’s lives, Chuang confronts unknown territory closer to her own home. Her own immigrant family from Taiwan is falling apart. Mental illness, divorce, and deeply rooted cultural taboos have shattered her own family’s American Dream.
Ultimately, she finds the two families are more similar than she had imagined. It is in journeying far away from her own home and family that she is drawn back to discover her own roots—and to confront the hard truths and broken places that lie at the heart of so many stories of migration and intergenerational struggle.
The title, The Four Words for Home, comes from the idea that in the Pashto language in Afghanistan, “home” is not a single word, but four. There are separate words to convey the concepts of “birthplace,” “native land,” “country,” and “house,” as is fitting to a people who have endured so much displacement, occupation, and upheaval.
For all immigrants, the idea of “home” is both fluid and elusive, far more than a single place on the map. At its core, this story speaks to all those who have sought that ineffable idea of home, across oceans and generations, in their own, or in other, cultures and families.
Winner of the 2015 Independent Publishers Bronze Medal in Multicultural Nonfiction
“If you are serious about reading news about kinship, the rigors of family, the by-blows of war, the way to making peace piece-meal (the only way for most of us), this is a book you need.”
“In The Four Words for Home, a journalist’s search for the human face of a world at war becomes a compelling personal quest to find family in the hearts of strangers.”